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Working on temporary collages constructed from cut-out squares and the residual sheets from which they came. Form and residual form, stacked on top of each other to form a random structure. Some of these collages are covered with an overlapping sheet of the same cut-out squares, a kind of passe-partout that shows only a small part of the underlying image – A viewfinder that finds or selects a temporary composition.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo. Motown-inspired sound she and returning executive producer D’Mile summoned for the first installment of Jaguar. “I felt like a wannabe Quincy Jones,” Monét said of the earlier record. Writing and recording during the pandemic touring freeze, she’d imagined how she would one day present the songs onstage, “thinking about how a Bruno Mars or an Earth, Wind & Fire show would feel.”
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Jazz Contrafacts and Reharmonization – Jazzadvice
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